Are there national stereo-types? What is the soul of a nation? How is the character and thinking of the people part of a culture? Does a theatre-maker think of such questions, when he is directing a Serbian, Czech, French, Hungarian play? Public discussion of Hungarian and foreign directors. (Sándor Zsótér, Gábor Máté, Tibor Csizmadia, Laurent Maindon, Sasha Milosavljevic, Zdeněk Bartoš)

The identity of one nation is in his culture. Culture determines the quality of a society – but culture can not exist without the support of the society. How do different nations recognize the importance of culture, support its development in Europe? Public discussion of the culture-politicians of the four regions and cities.

Public discussion with the creators of the performance "The Merchant of Venice" (Átrium)

Public discussion with the creators of the performance Alcoholics (Átrium)

Public discussion with the creators of the performance The Legend of the Chalk Circle (Átrium)

Public discussion with the creators of the performance Doll Ship (Átrium)

Though Rou has one adventure after the other with married women – but only on the leather back seat of the Cabrio hired from Fatty. Fatty has a Cabrio, but he has never had a girlfriend. And then we have Rose, the old virgin sister of Fatty, who hates Rou and all men. Or not?
A rootless generation does not feel good. And they are about to kill. Free of charge.